Outlaw Country Pioneer Johnny PayCheck’s Signature Song “Take This Job & Shove It” Celebrates The 47th Anniversary Release Of The RIAA Platinum & Billboard #1 Hit Country Song

[Take This Job and Shove It album art | Download JPG]

Originally written by David Allan Coe, and produced by Billy Sherrill

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NASHVILLE, Tenn. (November 05, 2024) — Outlaw country pioneer Johnny PayCheck’s “Take This Job & Shove It” celebrates the 47th anniversary release of the RIAA Platinum and #1 Billboard hit song, where it spent two weeks on top of the Hot Country Songs chart, and 18 weeks overall on the chart. The song also peaked at #1 on the Canadian RPM Chart and is widely considered as PayCheck’s signature song. Originally written by David Allan Coe, and produced by Billy Sherrill, and appeared on his 1977 album by Epic Records of the same name, Take This Job and Shove It. 

The song also inspired a 1981 comedy film titled Take This Job & Shove It, directed by Gus Trikonis and starring Robert Hays, Barbara Hershey, Art Carney, and David Keith. A cameo by PayCheck is made during the film’s bar fight scene.

Notable cover versions of the song appear on Willie Nelson’s 1978 album Willie and Family Live, and punk rock band Dead Kennedys 1986 album, Bedtime for Democracy. A rap adaptation by Canibus with Biz Markie of the song also makes an appearance in the 1999 movie Office Space.

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About Johnny PayCheck:
Johnny PayCheck is considered by many within the country music industry and arts to be one of the founders of the outlaw country music movement during the 70’s. That said, his soulful sound and phrasing made him a legend amongst the honky-tonk crowd and his peers. Even to this day new fans are discovering the depth of his musical talent far exceeds “Shove it”. His musical career spanned over 40 years and included a massive catalog of songs and performances. His career was stained by his outrageous behavior at times, to the point that one music executive asserted they would make sure no one ever knew who Johnny PayCheck was in country music after a heated label meeting went off the rails. 

His life after his mistakes proved to be one that showed he had learned some hard lessons and did his best to repair the damage which did earn him a home at the Grand Ole Opry and at Sony Music. A true honky-tonk legend, an outlaw musician, a constant reminder to pick yourself up after being knocked down and a husband and father which few saw outside his true friends and family. Johnny PayCheck was a side man that outshined many of his counterparts at times but could never get out of his own life lessons till it was too late in his life.  

Present day you won’t find much said about Johnny PayCheck in the country music history books or historical documentaries. You won’t find a big exhibit honoring him in Nashville. You must look close to find where his mark was made on country music. His brass placard still hangs backstage at the Opry. You can find autographed pictures still remaining at Tootsies and the Ernest Tubb Record Shop. You can find his “Shove It” guitar at the Country Music Hall of Fame along with a few of his gold records. For the most part though, it is the fans who keep his music and memory alive while an industry still profits from the entertainer they would rather forget.  

His peers would come from backstage and stand in silence just to hear him sing “Old Violin.” Today those same peers will tell you how they loved him and how he was an amazing vocalist and writer. It is an industry that has forgotten, not the fans or the musicians he worked alongside. Some leave him out of the pages of history due to his controversial missteps, others don’t know his history even though his name reappears constantly alongside his peers that were more careful with their careers, but Johnny PayCheck is still a musical force to take notice of even today.

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